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Pyres

by Kroh

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Morgan
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Morgan This is just glorious, the riffs are fantastic and not stale and overdone (A common issue in Doom) The guitar tone is utterly devastating! Lyricism and vocals are gorgeous and the melodies are catchy and laden with just the right level of effects. I didn't think the bands previous albums/singles could be outdone but this is undoubtedly their best work and I feel a fool for not having listened to it sooner. Favorite track: Moriah.
tobsucht80
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tobsucht80 Kroh balances between classic heavy rock like Black Sabbath with a touch of My Dying Bride. The whole concept is brightened up by his experimental ideas. Especially the voice of Oliwia, revealing her slavic singing culture, makes Kroh something very unique. Favorite track: Moriah.
Hellride Music
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Hellride Music Kroh creates Doom on their own terms. It seems like they anticipate what is expected from the listener, and then either do some creative take on it, or eschew it altogether. It’s very cool to see and hear bands veering off the “Sabbath-By-Numbers” route. Favorite track: Moriah.
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  • Full Digital Discography

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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Necromancer, The Garden of Jane Delawney, Pyres, Altars, Living Water, Precious Bones, and Kroh - Demos. First Line Up. 2011. , and , .

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1.
2.
Rigor Mortis 04:41
Ethereal derailment, Shamanic enlightenment. I am the embodiment of sin, embodiment of sin, Cold and mean. I am the masochistic pain, the masochistic pain Deep within. (Cold and mean) Rapid putrefaction, slow decomposition. Rigor mortis baby, life in intermission. Profound state of wonder, No limits, no borders. I am the embodiment of sin, embodiment of sin, Cold and mean. I am the masochistic pain, the masochistic pain Deep within. Rapid putrefaction, slow decomposition. Rigor mortis baby, life in intermission. Rapid putrefaction, slow decomposition (she’s deathly! she’s deathly!), Rigor mortis baby, life in intermission. (she’s deathly! she’s deathly!)
3.
Friend you crawl right through my insides, Use me as your host. Slowly penetrate my body, Kiss my open sores. Girl, you shouldn’t play with fire. Control your sick desires Before you eat your tail, Nemertean girl. Love, you’re rotten, full of horrors, Foul within your core. Hypocritical deceiver, You are nothing more. Girl, you shouldn’t play with fire. Control your sick desires Before you eat your tail, Nemertean girl. My god, maggot girl. Maggot, maggot girl. Girl, you shouldn’t play with fire, Control your sick desires. You’ll reap what you have sown, Nemertean girl.
4.
Moriah 07:15
Over the moor She laid her tomb. Sapphire eyes Cried at the moon. Deep in the wood She drained the blood. Oh hosanna in the highest, Oh Moriah show your secrets. Oh hosanna in the highest, Tell the stories of your torment. Do not mourn me Dear beloved, For your venom Poisoned my head. Oh hosanna in the highest, Oh Moriah show your secrets. Oh hosanna in the highest, Tell the stories of your torment. On mossy field Her fate was sealed. With one swift cut She found relief. Oh hosanna in the highest, Oh Moriah show your secrets. Oh hosanna in the highest, Tell the stories of your torment. Oh hosanna in the highest, Oh Moriah show your secrets. Oh hosanna in the highest, Tell the stories of your torment. Oh hosanna!
5.

credits

released October 13, 2017

Kroh are

Vocals - Oliwia Sobieszek
Guitar - Paul Kenney
Guitar - Paul Harrington
Bass - Darren Donovan
Drums - Rich Stanton

Artwork by Amy Edwards
Recorded at Devizes studios, Birmingham, October 2016 - June 2017

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Kroh Birmingham, UK

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